Week 1

Description:

The fact is, there’s really no way around the necessity of shifting when it comes to playing the double bass. Left to only one hand position, we can barely cover a one-octave scale in a very select number of keys (F-major, B-flat major, G-major… and that might be it!)

Come join in on this Two-Week-Intensive (TWI) with Travis Harrison and learn some new ways to use scale practice to connect your shifting in ways that are applicable to our every-day bass playing and our standard repertoire. In this TWI we will look at a few different ways of practicing scales; explore the power of practicing different fingerings; and look at ideas like using long-tone scales and scale progression exercises to enhance your double bass playing.

How it works:

For this TWI, we will be organized into 2 groups depending on your comfort level of playing scales:

Group 1: two-octave scales

Group 2: three-octave scales

Please sign up for the group you feel most comfortable playing in.

Once the TWI starts, you can expect the following: you will receive a PDF with several different exercises focussed towards your journey with scales.

  1. Watch the assignment video by Travis Harrison, and download the PDF booklet through the Double Bass TWI Forum
  2. Work on the scale routine and post a text, audio, or video twice:
    1. once at the end of week 1 (around October 11);
    2. and again by October 17
  3. Help others improve and comment on each other’s submissions with a helpful advice; as well as curated feedback from Travis, who will be monitoring the TWI discussion thread.
  4. Optionally check in with a Zoom Call during the 2nd week (October 15 at 6:00pm Eastern Time) - sign-up for this is required for the Zoom link.

Timeline:

  • Sign-Up : Oct 2 - 6
  • Course Period: Oct 7 - 18
  • Optional check-In via Zoom: Oct 15 6pm ET

 

Assignments:

Workbook: TWI 2 - WB - Level-up your scales - Travis Harrison

Assignment Video Week 1: https://youtu.be/QN4LflvFpuI

16 replies

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    • Raffaele
    • 1 mth ago
    • Reported - view

    The idea to use the third finger on the G of the E string, is it lso motivate by the fact that in this way we can play F F# and G using 1st 2nd and 3rd finger? Or is this configuration rather not reccomandable?

      • Double Bass Lead, tonebase
      • Travis_Harrison
      • 1 mth ago
      • Reported - view

       that's a great question. The way I use 3rd finger in those positions is simply to keep the hand small - playing a semitone 1-2 for me is an extension between those two fingers; whereas 1-3 is much more "natural" and doesn't feel like an extension at all. To play F-F#-G 1-2-3 would be a lot of extensions, so I wouldn't do it personally, but I am sure some folks could make it work. 
      If you're not used to using 3rd finger there, feel free to use your 2nd (Simandl style of 1-2-4); folks who use the Bille/Italian method might not use 2nd finger much in those positions, so they might use 3rd finger (1-3-4). 

    • Double Bass Lead, tonebase
    • Travis_Harrison
    • 1 mth ago
    • Reported - view

    Hi all, just checking in here and hoping everything is going smoothly so far.

    Any questions or comments? Send them my way! If you're worried about using the forums, no problem - you can contact me directly by replying to the TWI email I sent out - though the forum here is a great place to also possibly get feedback from your colleagues here!

      • Raffaele
      • 1 mth ago
      • Reported - view

       this is going to be my first time that I meet the Pivot way of playing scales as I think I was thought with applying the simandl system. Would it be possible to integrate this activity by linking to a  video where the pivoting is described ?

      • Double Bass Lead, tonebase
      • Travis_Harrison
      • 1 mth ago
      • Reported - view

       sure thing! The week 2 video (will be published tomorrow) will show it a little bit of this pivoting/rotation in the scale progressions; but the best place to look at the moment on the platform are in Joel Quarrington's videos - they are quite long (about 90 minutes total) but it's work watching from the start of the course - this video. If you don't have the time to, then in the first lesson, look for the chapter called "Rotation" starting around 6:10; and in the second lesson the section called "Scale Progressions" starting at 11:36. 
      Those are a good place to start, and I'd be happy to look at this more closely with you during the Zoom check-in next week!

      • Double Bass Lead, tonebase
      • Travis_Harrison
      • 1 mth ago
      • Reported - view

      ...and I should also note - these are fingerings that I use in my system as an example - feel free to use your own fingerings or check out some other offerings like Eugene Levinson's "The School of Agility" if you'd prefer not to get too far away from the Simandl system you're comfortable with. The point here is to make sure you have different fingering options available to you for different situations.

      • Raffaele
      • 1 mth ago
      • Reported - view

      thank you!

    • Mike_Brown
    • 1 mth ago
    • Reported - view

    Hi all! Here is my first attempt to play through these scale fingerings.

     

    https://youtu.be/Zc4h3J_n214

      • Double Bass Lead, tonebase
      • Travis_Harrison
      • 1 mth ago
      • Reported - view

       great job Mike! Glad you gave those fingerings a try - how did you find them? Looks like you practiced them enough to get them going from memory, excellent. Great job following those. I would say the first variation (Simandl-style) is the most in tune, which makes me think that's something you're accustomed to - great - with the others, as you play through them more, make sure to keep intonation quality up, especially when getting used to those minor-3rd-in-the-hand pivots/rotations and using the 3rd finger (I'm being very picky there, but best to set the goal high from the start with something like integrating that kind of fingering technique into your playing). 
      Thanks for sharing this! Looking forward to the next batch.

      • Mike_Brown
      • 1 mth ago
      • Reported - view

       Thank you for the feedback! I will definitely be working on the pivot fingerings more slowly to get more accustomed to them. I really like the idea of using 3 on the low G, but it will take time for it to feel as natural as 2...

      • Double Bass Lead, tonebase
      • Travis_Harrison
      • 1 mth ago
      • Reported - view

       I commend you giving it a try! It takes time for it to feel naturally incorporated into your playing technique, and then it will be a useful tool.

    • Theophane_Diaz
    • 1 mth ago
    • Reported - view

    Hello !

    Here is my first video with 4 different fingerings (not the same as you Travis but I took inspiration from some of yours).

     

    https://youtu.be/qWrYYu4kXV8?feature=shared

    • Double Bass Lead, tonebase
    • Travis_Harrison
    • 1 mth ago
    • Reported - view

    Really excelllent  , I'm happy to provide some inspiration! Those fingerings I presented can work well on some basses, but not on others - the important thing is that you practise different options and do ones that sound good on your instrument, and that you enjoy playing! So I really admire these, and think it's a great start - now curious to see how they fit in with the next set of scale study exercises. Great job!
    Curious - did you practise these with a drone? It could be a nice thing for feeling the "gravitational pull" of the key and centering pitch (I'm again being very picky - but there's not much to find issue with your performance here!)
     

      • Theophane_Diaz
      • 1 mth ago
      • Reported - view

       thank you I will try this with a drone. Is it better to use the drone as the fundamental or the fifth ? 

      • Double Bass Lead, tonebase
      • Travis_Harrison
      • 1 mth ago
      • Reported - view

       I use the fundamental, especially if the drone has a strong perfect 5th in it - but the drone is essentially just a point of reference, and so either could be useful in their own way.

    • Alex_Bayer
    • 1 mth ago
    • Reported - view

    Hey, I haven't been able to record my self playing the scales until yesterday. I will do it very soon :) 

Content aside

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